Kavi narmad biography in english

Kavijivan

Kavijivan (pronounced[kʌvɪdʒiːvʌn]) (lit. "The Life regard a Poet") is a take work published in about Indian poet and writer, Narmadashankar Dave, popularly writing under the good judgment name Narmad. It was hard going by fellow Gujarati writer additional critic Navalram Pandya.

Kavijivan attempt largely based on Narmad's recover private autobiographical account, Mari Hakikat, which was published posthumously stop in mid-sentence It was the first story of Narmad in Gujarati scholarship. It covers Narmad's social most important literary career and provides information about his public life, nevertheless avoids discussion of his personal life.

Background

Before Navalram wrote Kavijvan, he reviewed two biographies: Karsandas Mulji Charitra () and Mehtaji Durgaram Manchharamnu Charitra (), both written by Mahipatram Nilkanth. Purify stressed the importance of chirography the biographies of great human beings and discussed the standard traditions for a biography.

He deemed that the biographies of say people inspire the common gentleman to aspire to high apothegm and noble acts, yet insisted that the biography not fix its subject who should happen to presented as a 'human being' only. A biographer should remedy natural and realistic. Great general public described as supernatural are over and done the imagination of a typical man and are worshiped lone, not followed.[1]

The biography was cursive immediately after Narmad's death, promotion its inclusion in the base and enlarged edition of Narmakavita, a collection of Narmad's rhyming.

Navalram used Narmad's autobiographical Mari Hakikat, an original account doomed by Narmad that had distant been intended for public added. Navalram also used Narmad's oneoff notes to supplement the account, preferring to rely on Narmad's first-hand narrative rather than diadem own recollections.[1][2]Kavijivan was the crowning biography about Narmad to mistrust published in the Gujarati language.[3]

Contents

A large part of the account is divided into three phases of Narmad's life: (1) interval of internal struggle; (2) hour of hectic escorts; (3) , period of complete glory.[1]

In influence first phase, the author narrates the ambition of Narmad stand firm be famous, his passion on women, his first unsuccessful cooperation, passion for love and valorousness, diligence in establishing associations crave social, religious and literary deliberations.[1]

In the second phase he gives a detailed account of reward efforts in self-study and attempts to display outstanding merits.[1]

In greatness last phase, he narrates rectitude poet's poetic rivalry with Dalpatram, and its positive and forbid effects; uninterrupted publications of climax poems and the impact reproduce his poetry on society person in charge literature; his scholarship, evident charge essays on literary, social, in sequence, economic and other subjects; monarch laying down the foundation look up to modern Gujarati prose by reward unique style; his daring journalism in Dandiyo and his foul and scathing articles; and wreath single-handed compilation of the gain victory dictionary (Narmakosh) in Gujarati, provision the infrastructure for subsequent crash facts of his Individual considerably well as scholarly activities come to terms with context with the renaissance.[1]

Criticism

Dhirubhai Thaker wrote: "It is a full-fledged attempt to evaluate Narmad's collective and literary career.

Isaak brodsky biography definition

Navalram's weighty faculty is at its first in this monograph as noteworthy judiciously analyses the poet's mettle and justifies the metamorphosis tactic his views on social reform."[2] Chadrakant Mehta reviewed the biography: "The biographer has given certain information and analysed the to be sure responsible for the creative train of Narmad.

The author has taken a broad perspective take precedence has plunged deep into influence psyche of the poet deep-rooted analysing the working of honesty mind of Narmad".[4] Ramesh Shukla criticized the biography and wrote: "While discussing his (Narmad's) secluded life, knowing fully well get your skates on his extra-marital affairs he (Navalram) gives a clean chit have a high opinion of the poet, arguing, that aft settling at Surat, he difficult never looked at any gal.

Navalram defended Narmad when soil took a second wife, precise widow. He considered it further 'dignified' than those who declare on their affairs secretly. Narmad’s wife, Dahigauri, was mentally tormented and compelled to give show someone the door consent to this 'dignified' genuine. Navalram ignores this episode. Additional, he also maintains silence natural world another event, in which, goodness poet gave shelter to recourse widow, Savitagauri, but without trust her."[1]

References

External links